“I enjoy wearing Lululemon gear. My favorite piece is their Metal Tech Vent long sleeve shirts. I'm a fan of long sleeve workout tops and this particular shirt fits perfectly around the body and arms. It allows me to move without any restriction and it also feels good—which are my top two most important qualifications for workout gear. Not to mention, I like how it looks on me.”
Rebecca Arnold and Emily S. Rosenberg have noted how the American look, demonstrated through healthy teeth and the use of affordable, good-quality fashionable clothing to present a neat and practical appearance, despite claims of egalitarianism, was ultimately held up against white standards of beauty. Rosenberg has pointed out a six-page spread in LIFE dated May 21, 1945, which explicitly described girls with an athletic 'American look' of good teeth, good grooming, and good, not-too-masculine, simple, neat attire, as being seen as preferable to girls from England, France, Australia or Polynesia.
Many of the first sportswear designers were women, including McCardell, Potter, Elizabeth Hawes, Emily Wilkens, Tina Leser, and Vera Maxwell. A common argument was that female designers projected their personal values into this new style. One of the few male designers at this time was Tom Brigance, who by the late 1930s was regularly ranked alongside Potter as a leading name in mid-range priced sportswear. Like Potter, Brigance understood how to design smart and fashionable clothing for mass-production, which made his clothes attractive to manufacturers as well as to customers. Two other notable male designers of sportswear at this time were Sydney Wragge and John Weitz.
After the Second World War, the emergence in Paris of the luxurious "New Look" popularised by Christian Dior, with its emphasis on accessorising and femininity, was in direct contrast to the relaxed, easy-wear American look. Sally Kirkland, a fashion editor at Vogue and LIFE, noted that McCardell and others had already been thinking along the lines of longer and fuller skirts and fitted bodices, but that unlike Dior's heavily stiffened and corseted designs, they used bias-cut bodices and lightweight, easy-wear circle or pleated skirts to reproduce the same silhouette. Unlike traditional made-to-measure French couture fashion, designed for specific silhouettes, American sportswear was designed to accommodate a variety of body shapes and enable freedom of movement. With the lifting of fabric rationing and restrictions following the War, American designers were able to use unlimited fabric and the development of permanent pleating meant that pleated dresses and full skirts were easy to look after. In addition to this, American stores had begun to recognise the commercial value of separates, with LIFE reporting in 1949 that separates made up an all-time-high of 30% of clothing sales in the States that Fall.
Old Navy offers big men's activewear from expert designers in clothing for big men. Our big men's activewear is made from comfortable, lightweight fabrics. The masculine style and designer details in big men's activewear from this assortment makes it popular with active guys. Big men's activewear from Old Navy includes pants, shorts, shirts, jackets and more. Big men's activewear from this collection is great for jogging, exercise at the gym or for just doing weekend errands. Big men's activewear makes a great gift for all the guys on your gift list who love quality, comfort and fashion.