Martin has observed that in America, prior to increasing worker freedoms from the mid-late 19th century onwards, leisure had been a luxury available only to the leisured classes during the Industrial Revolution (c.1760-1860), and before that, Puritan America had condemned leisure for all. He cites the 1884 Georges Seurat painting A Sunday Afternoon on the Island of La Grande Jatte as an immobile, "static and stratified" depiction of leisure in "direct antithesis" of the relaxed, casual American equivalent. T.J. Clarke notes how La Grande Jatte illustrates people from the breadth of Paris society taking advantage of their free time by going to the riverside to show off new clothes, but that the act of removing one's jacket or otherwise loosening garments as a signifier of actually being at leisure was almost never done.
The curator Richard Martin put on an exhibition on sportswear in 1985 at the Fashion Institute of Technology, in which he described sportswear as "an American invention, an American industry, and an American expression of style." For Martin, American sportswear was an expression of various predominantly middle-class aspects of American culture, including health ideals, the concept of democracy, ideas of comfort and function, and innovative design which might refer to historical concepts or leisure attributes. The establishment of a five-day working week and an eight-hour working day in America in the mid-20th century led to the need for clothing which enabled the fullest possible enjoyment of such increased leisure time, and was designed accordingly. A subsequent exhibition of 1930s-70s sportswear, also curated by Martin, at the Metropolitan Museum of Art in 1998, was introduced by Philippe de Montebello as showing pioneering garments, whose modesty, comparative simplicity, and wearability treated fashion as a "pragmatic art." de Montebello carefully explained how significant American designers such as Norman Norell, Pauline Trigère, Charles James and Mainbocher, were not considered sportswear designers, as they were not dedicated to the design principles of versatility, accessibility and affordability in the way that Claire McCardell or Emily Wilkens were.
Quand vous pensez à un sweat, qu’est-ce qui vous vient à l’esprit? Que ce soit un sweat capuchon décontracté à enfiler le matin pour promener votre chien ou un sweat ras-du-cou imprimé à la fois tendance et parfaitement confortable pour une fraîche soirée d’automne, vous pouvez pousser votre look un cran plus haut grâce à la sélection diversifiée de Simons. Parcourez une variété de styles, de couleurs et de marques et étoffez votre garde-robe avec des pièces qui rehausseront vos tenues décontractées. Avec tous ces choix branchés à portée de main, vous pouvez enfin abandonner ce vieux sweat qui date du secondaire.
Chances are you’re intimately familiar with this mega-brand if you’re a gym rat, athlete, or even if you don't watch sports on the regular. But there’s a good reason that it’s the top dog in sports. That means the brand is always innovating with new technologies like Flyknit and Dri-FIT, which keep getting upgraded and integrated into more of its stellar gear.
Whether the 411 comes from targeted posts on Facebook, influencers promoting on Instagram, or just a new logo on a slick pair of joggers that catches your eye at the gym, there seem to be a never ending amount of brands producing fitness clothing. And with specialty gear comes specialty prices—most of the newer brands are expensive to the point of being prohibitive, even though they've largely not been tried and tested by the general public. How can you know if you’ll regret shelling out the dough for a shirt one of your favorite follows was rocking on the 'Gram?