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Chances are you’re intimately familiar with this mega-brand if you’re a gym rat, athlete, or even if you don't watch sports on the regular. But there’s a good reason that it’s the top dog in sports. That means the brand is always innovating with new technologies like Flyknit and Dri-FIT, which keep getting upgraded and integrated into more of its stellar gear.
Sportswear is an American fashion term originally used to describe separates, but which, since the 1930s, has come to be applied to day and evening fashions of varying degrees of formality that demonstrate a specific relaxed approach to their design, while remaining appropriate for a wide range of social occasions. The term is not necessarily synonymous with activewear, clothing designed specifically for participants in sporting pursuits. Although sports clothing was available from European haute couture houses and "sporty" garments were increasingly worn as everyday or informal wear, the early American sportswear designers were associated with ready-to-wear manufacturers. While most fashions in America in the early 20th century were directly copied from, or influenced heavily by Paris, American sportswear became a home-grown exception to this rule, and could be described as the American Look. Sportswear was designed to be easy to look after, with accessible fastenings that enabled a modern emancipated woman to dress herself without a maid's assistance.
Many of the first sportswear designers were women, including McCardell, Potter, Elizabeth Hawes, Emily Wilkens, Tina Leser, and Vera Maxwell. A common argument was that female designers projected their personal values into this new style. One of the few male designers at this time was Tom Brigance, who by the late 1930s was regularly ranked alongside Potter as a leading name in mid-range priced sportswear. Like Potter, Brigance understood how to design smart and fashionable clothing for mass-production, which made his clothes attractive to manufacturers as well as to customers. Two other notable male designers of sportswear at this time were Sydney Wragge and John Weitz.
Choose from either the Rec Kit (made for everyday activity), or the Tech Kit (which is designed to keep you cool during high intensity workouts) from this brand and you’ll get a matching top and bottom for $95. While that’s a good chunk of change, the company focuses on making versatile products that can handle a ton of work, so it will be worth every penny.
Our selection of men’s activewear includes men’s tank tops, athletic tees, and jersey shirts that can provide the cover and style you need while keeping you cool during outdoor activities and sports. We also carry men’s activewear for colder environments, like track jackets, hoodies, sweatshirts, and more, built specifically to keep you warm while simultaneously providing you flexibility and comfort. We carry men’s athletic wear from some of the top brands, including Champion, Russell Athletic, Columbia and many more so you can rest assured that you’re getting quality, long-lasting products.
In the 1950s and 1960s, designers continued to develop the theme of affordable, practical and innovative sportswear, producing clothing that focused on wearability rather than fashion fads, including Anne Fogarty's coat-and-dress sets and dresses made with removable waistcoats to alter their look. The film costume designer Bonnie Cashin, who started producing ready-to-wear clothing in 1949, is considered one of the most influential American sportswear designers. She was known for her extremely practical layered ensembles inspired by ethnographic garments and textiles such as the Japanese kimono and happi, ikats, and the South American poncho. Her designs incorporated leather bindings, pockets with purse clasps, hooded jersey dresses and tops, and industrial zippers and fastenings. She put a brass clip resembling those used on dog leashes, on a long formal skirt so that it could be securely hitched up to enable the wearer to run up and down stairs, and her ponchoes and hoods (which could be rolled down to form elegant cowl-collars) were originally designed for driving on cool mornings. Cashin became one of the first American designers to have an international reputation. Alongside Cashin, Rudi Gernreich emerged in the 1950s as a key name in sportswear design, first becoming known for his swimsuits, but then expanding into geometrically cut, graphic clothes and knitwear that Kirkland described as the epitome of the "new California."
Quand vous pensez à un sweat, qu’est-ce qui vous vient à l’esprit? Que ce soit un sweat capuchon décontracté à enfiler le matin pour promener votre chien ou un sweat ras-du-cou imprimé à la fois tendance et parfaitement confortable pour une fraîche soirée d’automne, vous pouvez pousser votre look un cran plus haut grâce à la sélection diversifiée de Simons. Parcourez une variété de styles, de couleurs et de marques et étoffez votre garde-robe avec des pièces qui rehausseront vos tenues décontractées. Avec tous ces choix branchés à portée de main, vous pouvez enfin abandonner ce vieux sweat qui date du secondaire.
The quality of Italian sportswear was recognized early on by Robert Goldworm, an American sportswear designer who in 1947 joined his New York-based family company Goldworm. Through his second company base in Milan, Goldworm became the first American knitwear designer to take advantage of Italian quality and bring it to the New York market. In 1959 Goldworm, in recognition of his active promotion and support of the Italian knitwear industry, was made a Commander of the Order of the Star of Italian Solidarity by the Italian government.
Among the key designs produced by this new generation of American designers were capsule wardrobes such as McCardell's group of five wool jersey pieces from 1934, comprising two tops, long and short skirts, and a pair of culottes; and Maxwell's "weekend wardrobe" of five tweed and flannel garments. Both were designed to accommodate formal and informal occasions depending on how they were assembled and accessorised. McCardell also became well known for designs such as the Monastic and Popover dresses which were versatile enough to work in multiple contexts from swimsuit cover-ups to party dresses. Other McCardell signatures included ballet slippers (made by Ben Sommers of Capezio) as everyday footwear and functional pockets in skirts and trousers. Dressy garments made from casual fabrics, such as McCardell and Joset Walker's evening dresses and dress-and-coat ensembles made out of cotton, became a key sportswear look. The American couturier Norman Norell declared that McCardell could make a smart dress to wear anywhere out of "five dollars worth of common cotton calico." Other sportswear designs often incorporated elements of sporty informal or casual wear, as exemplified by Clare Potter's evening sweater worn with a long skirt draped like a sidesaddle riding habit.
In the 1970s Geoffrey Beene, one of the first significant male sportswear designers, incorporated relaxed layering and elements of menswear into his women's clothing - details that continue to widely influence early 21st century industry designers. In 1970, Bill Blass, whose fashion career began in 1946, founded his own company, Bill Blass Limited. Blass's wearable designs were designed to be worn day and night and he was said to have raised American sportswear to the highest possible level. Like Beene, he introduced menswear touches to his sportswear, which was described as clean, modern and impeccable in style. Kirkland commented in 1985 that sportswear designers such as Liz Claiborne and Joan Vass were no longer "borrowing from the boys," but had begun making menswear too. In addition to the high-end names who produced apparel in large quantity, a more personal level of sportswear was offered in the early 1980s by smaller designers such as Mary Jane Marcasiano and Vass, who specialised in hand-knits in wool and cotton. By the mid-1980s, sportswear had become a key part of the international fashion scene, forming a large part of America's contribution to the twice-yearly fashion presentations alongside top-end collections from Paris, Milan and London.
Un sweat est fait pour rendre vos temps libres aussi confortables que possible, mais ça ne veut pas dire que vous ne pouvez pas à la fois être élégant et suivre les dernières tendances. Les pulls à capuchon et les capuchons à zip sont intemporels et fonctionnels, alors que les tee-shirts ultralégers à capuche vous permettent d’exprimer votre côté créatif à travers des imprimés graphiques. Restez au chaud lors des soirées plus fraîches avec des sweats qui se coordonnent avec tout, des jeans skinny jusqu’aux leggings douillets. Vous n’avez pas non plus besoin de porter le même toutes les fins de semaine ; l’assortiment de Simons est en évolution constante pour rester en phase avec la mode.
The Renaissance period marked the rebirth of scientific advancement, music, and the arts throughout Europe. Renaissance clothing reflects the vibrancy of culture and innovative tailoring techniques that marked the period of 1400 to 1600. Historical Clothing Realm features a generous selection of historically accurate Renaissance clothing, including dresses, jerkins, coats, vests, shirts, boots, and more.
The curator Richard Martin put on an exhibition on sportswear in 1985 at the Fashion Institute of Technology, in which he described sportswear as "an American invention, an American industry, and an American expression of style." For Martin, American sportswear was an expression of various predominantly middle-class aspects of American culture, including health ideals, the concept of democracy, ideas of comfort and function, and innovative design which might refer to historical concepts or leisure attributes. The establishment of a five-day working week and an eight-hour working day in America in the mid-20th century led to the need for clothing which enabled the fullest possible enjoyment of such increased leisure time, and was designed accordingly. A subsequent exhibition of 1930s-70s sportswear, also curated by Martin, at the Metropolitan Museum of Art in 1998, was introduced by Philippe de Montebello as showing pioneering garments, whose modesty, comparative simplicity, and wearability treated fashion as a "pragmatic art." de Montebello carefully explained how significant American designers such as Norman Norell, Pauline Trigère, Charles James and Mainbocher, were not considered sportswear designers, as they were not dedicated to the design principles of versatility, accessibility and affordability in the way that Claire McCardell or Emily Wilkens were.
Once you’ve picked out the right shirts and shorts for you, you can also add the basic essentials. We carry underwear, athletic socks, and base layers for added support and comfort. Our socks come in a variety of moisture wicking, cushioned, and colorful designs. Our base layers can provide another layer of warmth, great for early morning or chilly evening work outs.
Le 31 Djab Adidas Adidas Originals Andrea Crews Anerkjendt Avirex BOSS C.P. Company Calvin Klein Champion Champion Reverse Weave Coach 1941 Columbia Comme des Garçons PLAY Converse Cottweiler Criminal Damage Drykorn F.A.M.T. Fila Fred Perry Guess Herschel Hooké HUGO Imperial J. Lindeberg Kappa Kenzo Lacoste Le coq sportif Levi's Mauna-Kea Michael Kors New Balance
“Nike makes a great training short that I own every color in because I like them so much! These Flex shorts are fitted but also have a stretch in them, so they’re not restrictive when I’m squatting or performing other hip bending movements. Since I train a lot with a barbell, I look for gear that is not going to fade or deteriorate from the bar rubbing against it, over and over. These shorts have proven to be worthy for training in my opinion.”