Show off your medieval style at your next Renaissance Faire or Halloween party with our collection of Renaissance costumes and clothing. Here you will find exclusive Renaissance clothing pieces that you won't find anywhere else, as well as Renaissance costumes that are perfect for Halloween. No matter what your need, we are sure to have the perfect Renaissance costume in the size, style, and price range that you are looking for. Your friends and family will be impressed with the unique and authentic outfits they think you might have created all on your own. We just want you to have fun!
The precursors of true sportswear emerged in New York before the Second World War. Clare Potter and Claire McCardell were among the first American designers in the 1930s to gain name recognition through their innovative clothing designs, which Martin described as demonstrating "problem-solving ingenuity and realistic lifestyle applications". Garments were designed to be easy-to-wear and comfortable, using practical fabrics such as denim, cotton, and jersey. McCardell in particular has been described as America's greatest sportswear designer. Her simple, practical clothes suited the relaxed American dress code, neither formal nor informal, that became established during the 1930s and 1940s. McCardell once proclaimed: "I belong to a mass production country where any of us, all of us, deserve the right to good fashion." Martin credits the 1930s and 40s sportswear designers with freeing American fashion from the need to copy Paris couture. Where Paris fashion was traditionally imposed onto the customer regardless of her wishes, American sportswear was democratic, widely available, and encouraged self-expression. The early sportswear designers proved that the creation of original ready-to-wear fashion could be a legitimate design art which responded stylishly to utilitarian requirements.
“I grew up on Nike and they’re still consistently coming up with new ways to be innovative. They’re making clothing that allows me to focus on my training movements, being very specific to the personal details of their material and design, whether you’re doing yoga or showing up for a HIIT class. Nike seems to have an item to make sure you maximize each workout, assuring functionality and comfort—all without compromising the fact that their clothes look great, too! Look good, feel good, perform great—that’s what always keeps me motivated and a loyal brand customer.”
Like with clothing for men, there's a lot of interesting fashion possibilities with these garments. Look incredible at that wedding reception with a new suit and dress shirt from this line. Pair a cool light jacket with jeans and a great fitting t-shirt for a no nonsense outfit, perfect for playing pool with your buddies or taking your main squeeze to the movies. Start from scratch, or discover the right accessory to bring your favourite old look back to life. Clothing for men from Banana Republic is brilliantly designed to effortlessly go from day to night wear. Run for the last train on that hectic morning commute, run the office like a boss, and unwind with the gang at the local pub. With apparel for men from this line, you'll always be well-dressed.
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As more generic, versatile sportswear became more prominent in the Paris collections, the press increasingly promoted the wearing of such garments in an everyday context. By the mid-1920s, American advertisers also began actively pushing the idea that sporty clothing was just as appropriate for regular daywear as it was for active pursuits, presenting it as the epitome of modernity and the American ideal. One advertisement put out by Abercrombie & Fitch in Vogue in 1929 suggested that while men might admire a girl in an glamorous evening gown, they would be less intimidated by her approachable, friendly appearance in good-quality sportswear. Sportswear was also presented as an accessible version of resort wear, a term for the luxurious travelling clothing and holiday wear worn by those who could afford a leisurely lifestyle with multiple vacations, such as cruises, yachting, and skiing. Affordable, well-designed all-American sportswear was presented as a way of enabling a less wealthy customer to feel part of that same lifestyle. However, at first, American apparel firms mostly copied French styles.
We have a wide selection of performance-enhanced active bottoms, too. Our active pants include Columbia convertible pants that can zip into shorts during long hikes, adidas track pants that can give your legs the free range of motion you need to run or jog, yoga pants that can stretch with you, and much more. Sweatpants not only provide the flexibility you need from men’s activewear, they also warm you and can be a comfortable option no matter what you’re doing. Our active shorts can also keep you cool and flexible during long runs or when the weather gets hot and muggy.
The curator Richard Martin put on an exhibition on sportswear in 1985 at the Fashion Institute of Technology, in which he described sportswear as "an American invention, an American industry, and an American expression of style." For Martin, American sportswear was an expression of various predominantly middle-class aspects of American culture, including health ideals, the concept of democracy, ideas of comfort and function, and innovative design which might refer to historical concepts or leisure attributes. The establishment of a five-day working week and an eight-hour working day in America in the mid-20th century led to the need for clothing which enabled the fullest possible enjoyment of such increased leisure time, and was designed accordingly. A subsequent exhibition of 1930s-70s sportswear, also curated by Martin, at the Metropolitan Museum of Art in 1998, was introduced by Philippe de Montebello as showing pioneering garments, whose modesty, comparative simplicity, and wearability treated fashion as a "pragmatic art." de Montebello carefully explained how significant American designers such as Norman Norell, Pauline Trigère, Charles James and Mainbocher, were not considered sportswear designers, as they were not dedicated to the design principles of versatility, accessibility and affordability in the way that Claire McCardell or Emily Wilkens were.
Before co-founding the business that later became Missoni with his bride Rosita in 1953, Ottavio Missoni, himself an athlete, and his teammate Giorgio Oberweger had an activewear business in Trieste making wool tracksuits christened Venjulia suits. The success of the Venjulia suits, which took into account the need of athletes for functional, warm garments enabling freedom of movement, led to their being worn by the 1948 Italian Olympics team (which included Missoni himself). In the 1960s Missoni became renowned for their uniquely colored, mix-and-match knitwear separates based upon activewear, which have remained desirable and fashionable well into the 21st century.
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While 1920s Paris designers offered haute couture designs that could be considered sportswear, it was typically not their design focus. A notable exception was the tennis player Jane Régny (the pseudonym of Madame Balouzet Tillard de Tigny), who opened a couture house specialising in clothing for sport and travel. Another famous tennis player, Suzanne Lenglen, was director of the sportswear department at Jean Patou. In contrast to the flexibility of American sportswear, these expensive couture garments were typically prescribed for very specific circumstances. Many couturiers began designing clothing that, whilst suitable for sport, could be worn in a wider range of contexts. Coco Chanel, who promoted her own active, financially independent lifestyle through relaxed jersey suits and uncluttered dresses, became famous for clothes of "the sports type." In 1926 Harper's Bazaar reported upon Chanel's sporty garments, noting the absence of equivalent apparel from New York fashion presentations. However, Martin has noted that while Chanel was undeniably important and influential, her work was always based on couture construction rather than the easy-wear nature of American sportswear.
The quality of Italian sportswear was recognized early on by Robert Goldworm, an American sportswear designer who in 1947 joined his New York-based family company Goldworm. Through his second company base in Milan, Goldworm became the first American knitwear designer to take advantage of Italian quality and bring it to the New York market. In 1959 Goldworm, in recognition of his active promotion and support of the Italian knitwear industry, was made a Commander of the Order of the Star of Italian Solidarity by the Italian government.
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Despite the acceptance of fashionable sportswear as a form of casual dressing in French fashion in the 1920s, the American garment industry went on to become the most prominent producers of such clothing. The key difference between French and American sportswear was that French sportswear was usually a small part of a high-end designer's output, while the American sportswear designers focused on affordable, versatile, easy-care garments that could be mass-produced and were relevant to the customer's lifestyle, enabling the modern, increasingly emancipated woman to dress herself without a maid's assistance. Although the influence of Europe, particularly Parisian high fashion and English tailoring, was always significant, the Great Depression which started in 1929 acted as a trigger to encourage American fashion to focus on homegrown style and design - particularly sportswear. With 13 million Americans left unemployed by the Depression, it was necessary to create jobs and reduce the competition from imported goods in order to improve the American economy. At the same time, the growth of female athleticism and increased female employment fueled a need for simpler and less expensive clothing.