Martin has observed that in America, prior to increasing worker freedoms from the mid-late 19th century onwards, leisure had been a luxury available only to the leisured classes during the Industrial Revolution (c.1760-1860), and before that, Puritan America had condemned leisure for all. He cites the 1884 Georges Seurat painting A Sunday Afternoon on the Island of La Grande Jatte as an immobile, "static and stratified" depiction of leisure in "direct antithesis" of the relaxed, casual American equivalent. T.J. Clarke notes how La Grande Jatte illustrates people from the breadth of Paris society taking advantage of their free time by going to the riverside to show off new clothes, but that the act of removing one's jacket or otherwise loosening garments as a signifier of actually being at leisure was almost never done.
Our selection of men’s activewear includes men’s tank tops, athletic tees, and jersey shirts that can provide the cover and style you need while keeping you cool during outdoor activities and sports. We also carry men’s activewear for colder environments, like track jackets, hoodies, sweatshirts, and more, built specifically to keep you warm while simultaneously providing you flexibility and comfort. We carry men’s athletic wear from some of the top brands, including Champion, Russell Athletic, Columbia and many more so you can rest assured that you’re getting quality, long-lasting products.
Quand vous pensez à un sweat, qu’est-ce qui vous vient à l’esprit? Que ce soit un sweat capuchon décontracté à enfiler le matin pour promener votre chien ou un sweat ras-du-cou imprimé à la fois tendance et parfaitement confortable pour une fraîche soirée d’automne, vous pouvez pousser votre look un cran plus haut grâce à la sélection diversifiée de Simons. Parcourez une variété de styles, de couleurs et de marques et étoffez votre garde-robe avec des pièces qui rehausseront vos tenues décontractées. Avec tous ces choix branchés à portée de main, vous pouvez enfin abandonner ce vieux sweat qui date du secondaire.
Dress in the bright, handsome designs of men's clothing from Old Navy. Make an impression with a classic selection of men's clothing including dress, casual and seasonal styles. Enjoy a wide variety of men's clothing essentials featuring shirts, graphic tees, hoodies, pants, jeans, sweaters and outwear. Old Navy men's clothing is as durable as it is stylish. Look sharp in the handsome designs of men's clothing from Old Navy. Don't forget to check out our sister brand Gap, they have a wide selection of accessories,Gap suits, and much more.
In the 1950s and 1960s, designers continued to develop the theme of affordable, practical and innovative sportswear, producing clothing that focused on wearability rather than fashion fads, including Anne Fogarty's coat-and-dress sets and dresses made with removable waistcoats to alter their look. The film costume designer Bonnie Cashin, who started producing ready-to-wear clothing in 1949, is considered one of the most influential American sportswear designers. She was known for her extremely practical layered ensembles inspired by ethnographic garments and textiles such as the Japanese kimono and happi, ikats, and the South American poncho. Her designs incorporated leather bindings, pockets with purse clasps, hooded jersey dresses and tops, and industrial zippers and fastenings. She put a brass clip resembling those used on dog leashes, on a long formal skirt so that it could be securely hitched up to enable the wearer to run up and down stairs, and her ponchoes and hoods (which could be rolled down to form elegant cowl-collars) were originally designed for driving on cool mornings. Cashin became one of the first American designers to have an international reputation. Alongside Cashin, Rudi Gernreich emerged in the 1950s as a key name in sportswear design, first becoming known for his swimsuits, but then expanding into geometrically cut, graphic clothes and knitwear that Kirkland described as the epitome of the "new California."
While 1920s Paris designers offered haute couture designs that could be considered sportswear, it was typically not their design focus. A notable exception was the tennis player Jane Régny (the pseudonym of Madame Balouzet Tillard de Tigny), who opened a couture house specialising in clothing for sport and travel. Another famous tennis player, Suzanne Lenglen, was director of the sportswear department at Jean Patou. In contrast to the flexibility of American sportswear, these expensive couture garments were typically prescribed for very specific circumstances. Many couturiers began designing clothing that, whilst suitable for sport, could be worn in a wider range of contexts. Coco Chanel, who promoted her own active, financially independent lifestyle through relaxed jersey suits and uncluttered dresses, became famous for clothes of "the sports type." In 1926 Harper's Bazaar reported upon Chanel's sporty garments, noting the absence of equivalent apparel from New York fashion presentations. However, Martin has noted that while Chanel was undeniably important and influential, her work was always based on couture construction rather than the easy-wear nature of American sportswear.
“I have multiple pairs of shorts, shirts, and tank tops from Rhone. I really enjoy their gear for going on runs or bootcamp-style classes, where I don't have to worry about them wearing from a barbell. They are comfortable, and have enough stretch in them that allows zero restriction. The clothing is presentable and fitted, which in my line of work really is helpful.”
Along with many other designers, Gernreich took advantage of the development in the mid-1950s of upgraded machine-knitting techniques to produce his work. Double knitting (which was developed in Italy) enabled the mass-production of easy-to-wear knitted suits, coats and dresses that retained their shape and became a key American look in the 1960s and '70s. Another knitwear development involved varying the lines of the classic T-shirt so that it could be extended into dress-length versions, long or short sleeves, and other variations, including, by 1960, a sequined long evening version by Kasper for Arnold & Fox. In the 1960s, American sportswear depended on very simple shapes, often made in vivid colours and bold, geometric prints (such as those by Gernreich and Donald Brooks).
Think: clothing that not only performs, but also inspires. That’s the winning pairing that Roots of Fight features in each of their pieces, which celebrate legendary athletes like Muhammad Ali and Mike Tyson. As the brand's promotional material puts it, “Each story we tell depicts the unending fight at the root of every human triumph.” This gear has that old school feel with a new school design that performs well in the gym or on-the-go.