“I’m a fan of minimalism and understatement. No Bull apparel and shoes are not flashy, yet have a bold, unique design with quality material that doesn’t intrude on your performance. Living in a time where your appearance and activities often reflect your values and identity, I strongly identify with the brand’s message of no BS and putting in the work. I feel their products inspire and allow you to do just that.”
Chances are you’re intimately familiar with this mega-brand if you’re a gym rat, athlete, or even if you don't watch sports on the regular. But there’s a good reason that it’s the top dog in sports. That means the brand is always innovating with new technologies like Flyknit and Dri-FIT, which keep getting upgraded and integrated into more of its stellar gear.
Along with many other designers, Gernreich took advantage of the development in the mid-1950s of upgraded machine-knitting techniques to produce his work. Double knitting (which was developed in Italy) enabled the mass-production of easy-to-wear knitted suits, coats and dresses that retained their shape and became a key American look in the 1960s and '70s. Another knitwear development involved varying the lines of the classic T-shirt so that it could be extended into dress-length versions, long or short sleeves, and other variations, including, by 1960, a sequined long evening version by Kasper for Arnold & Fox. In the 1960s, American sportswear depended on very simple shapes, often made in vivid colours and bold, geometric prints (such as those by Gernreich and Donald Brooks).
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“I have multiple pairs of shorts, shirts, and tank tops from Rhone. I really enjoy their gear for going on runs or bootcamp-style classes, where I don't have to worry about them wearing from a barbell. They are comfortable, and have enough stretch in them that allows zero restriction. The clothing is presentable and fitted, which in my line of work really is helpful.”
In the 1970s Geoffrey Beene, one of the first significant male sportswear designers, incorporated relaxed layering and elements of menswear into his women's clothing - details that continue to widely influence early 21st century industry designers. In 1970, Bill Blass, whose fashion career began in 1946, founded his own company, Bill Blass Limited. Blass's wearable designs were designed to be worn day and night and he was said to have raised American sportswear to the highest possible level. Like Beene, he introduced menswear touches to his sportswear, which was described as clean, modern and impeccable in style. Kirkland commented in 1985 that sportswear designers such as Liz Claiborne and Joan Vass were no longer "borrowing from the boys," but had begun making menswear too. In addition to the high-end names who produced apparel in large quantity, a more personal level of sportswear was offered in the early 1980s by smaller designers such as Mary Jane Marcasiano and Vass, who specialised in hand-knits in wool and cotton. By the mid-1980s, sportswear had become a key part of the international fashion scene, forming a large part of America's contribution to the twice-yearly fashion presentations alongside top-end collections from Paris, Milan and London.
“Nike makes a great training short that I own every color in because I like them so much! These Flex shorts are fitted but also have a stretch in them, so they’re not restrictive when I’m squatting or performing other hip bending movements. Since I train a lot with a barbell, I look for gear that is not going to fade or deteriorate from the bar rubbing against it, over and over. These shorts have proven to be worthy for training in my opinion.”
“I love the Wolaco compression tights. I own some of the compression shorts, which are great, but what I love the most is a good 3/4 compression legging. Their material is a little thicker, which makes them durable but also gives them a tighter feel, which I love. Even though they seem to be thicker than some other brands they keep you cool and don't overheat you.”